But then he started talking to me about Tupac, Dr. “ told me, ‘You’re the only producer that can make Hip-Hop Pop again.’ And I never knew what he was talking about at the time. reached #1, achieving a sales figure of over 600,000, and marking a new plateau for Kendrick, Mike Will’s agenda is in play. I wanted it to sound like he’s battling the beat.”ĭon Cheadle Talks Starring In Kendrick Lamar’s Video & Being The Original Kung Fu KennyĪs DAMN. I wanted that shit to sound just as crazy. He said, ‘I just want to see if you can put some drums around this.’ I said, ‘Man, hell yeah.’ But he was going so hard that man was rapping so crazy.” Of what he created in front of Kendrick on the spot, Mike details, “I didn’t want the beat to just sound like a regular boom-clap, boom-clap. He continues, “With ‘DNA.,’ he went the whole way and then he just started rapping acappella. I gave him a bunch of beats for good kid, m.A.A.d city and I gave him a bunch of beats for To Pimp a Butterfly, but they definitely weren’t the right vibe.” Or when I’d come to L.A., I would always link up with him. Every time he’d come to Atlanta, he’d hit my phone. So I went to the studio with him played him a bunch of beats. “At this time, I hadn’t really heard of Kendrick. “Me and him been working on this for years, ever since good kid, m.A.A.d city,” Mike confirms with NPR’s Rodney Carmichael, adding that ScHoolboy Q connected them years ago. Mike also has begun detailing the sonic relationship he and Kendrick have shared. Kendrick Lamar Overtakes Drake For The Best Opening Sales Week Of 2017
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